Jumat, 20 Desember 2013

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The Oxford Reference Guide to English Morphology, by Laurie Bauer, Rochelle Lieber, Ingo Plag

This book presents a comprehensive, data-rich, theory-neutral description of English word formation, including inflection and derivation, compounding, conversion, and such minor processes as subtractive morphology. It also offers analyses of the theoretical challenges these phenomena present. It is the first to make systematic use of large linguistic corpora, including the Corpus of Contemporary American English, the British National Corpus, and the American National Corpus by which, for example, the authors are able to measure the productivity of different patterns and to trace semantic developments as they happen.

After setting out their methodology and theoretical assumptions, the authors describe word formation and inflection in contemporary English. They give equal weight to form and meaning and cover nominalizations, agentive forms, comparatives, root and synthetic compounds, as well as more recondite topics such as the abstract noun-forming suffixes -hood, -dom, and -ship, neoclassical compounds, and the morphology of numbers. They examine the relations between orthography and phonological form. While their focus is on contemporary morphology, they trace the history of phenomena wherever doing so helps to understand and explain current form and function. The final part of the book shows how the data assembled within it bear on current theoretical issues and reveal new lines of research. This outstanding book will interest all scholars and students of English and of linguistic morphology more generally.

  • Sales Rank: #705884 in Books
  • Published on: 2013-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 1.70" w x 9.70" l, 3.08 pounds
  • Binding: Hardcover
  • 702 pages

Review

"This comprehensive book, which covers all aspects of English morphology, is a needed reference work." --CHOICE


"This impressive volume will, for years to come, be an indispensable tool for researchers on English morphology." --Andrew Carstairs-McCarthy, Morphology


"The depth and the amount of research that has gone into this work are impressive. The care and thoroughness with which the authors present the corpus-based data are exemplary, and their decision to downplay theory while including copious helpful references to a wide number of synchronic approaches is commendable. This work will be of value to scholars of all sorts who study English, providing analytical bases for later work, data for classroom problems, and rich material for browsing. It is also a fine example of international collaboration between leading morphologists from three continents." --The Linguistic Society of America


"It will be unputdownable for considerable time to anyone interested in 'words', how they yield to and defy morphological analysis, and how their incredible range of properties can be classified and commented upon by dyed-in-the-wool morphologists, employing 'modern' ways of data collecting." --Wim Zonneveld, Journal of Linguistics


"The book's main aim is to provide a comprehensive overview of contemporary English morphology. There is no doubt that the authors have achieved this main goal... This book fills a gap in the literature and will be an essential reference for anyone interested in the morphology of English. It can be of benefit to instructors, linguistic researchers, and students, both beginners and advanced, looking for a quick overview of the many issues, problems, and intricacies of English morphology... [T]his volume is an excellent resource and reference book." --LINGUIST LIST


About the Author

Laurie Bauer, Professor of Linguistics at Victoria University of Wellington, Rochelle Lieber, Professor of Linguistics at the University of New Hampshire, and Ingo Plag, Professor of Linguistics at the University of Düsseldorf

Laurie Bauer is Professor of Linguistics at Victoria University of Wellington. His books include English Word-formation (CUP 1983), Introducing Linguistic Morphology (2nd edn EUP 2003), Morphological Productivity (CUP 2001) and A Glossary of Morphology (EUP 2004). He is one of the editors of the journal Word Structure.

Rochelle Lieber is Professor of Linguistics at the University of New Hampshire and author of Deconstructing Morphology (Chicago 1992), Morphology and Lexical Semantics (CUP 2004), and Introducing Morphology (CUP 2009). She is co-editor with Pavol Stekauer of the Oxford Handbooks of Compounding and Derivational Morphology (OUP 2009 and 2013).

Ingo Plag is Professor of English Language and Linguistics at the Heinrich Heine University, Düsseldorf. His books include Morphological Productivity (Mouton de Gruyter 1999), Word-formation in English (CUP 2003), and Introduction to English Linguistics (with co-authors, Mouton de Gruyter 2009). He is co-editor of the journal Morphology.

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Kamis, 19 Desember 2013

[S746.Ebook] PDF Download Action (Central Problems of Philosophy), by Rowland Stout

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Action (Central Problems of Philosophy), by Rowland Stout

By focusing on the idea that agency involves causal sensitivity to reasons, Rowland Stout shows how agency is one of the most useful ways into the philosophy of mind: if one can understand what it is to be a free and rational agent, then one can understand what it is to be a conscious subject of experience. Some of the questions considered include: Is all action intentional action? Is intentional action characterized by its relation with possible justification? Do beliefs motivate actions or do facts? What is the nature of the causal process of acting? Are intentions independent components in the explanation of action? The traditional Davidsonian agenda remains central but Stout locates it historically in relation to the ideas of Aristotle and Kant as well as current issues of interest such as externalism, moving the debate beyond Davidson. This fresh and engaging introduction to the many philosophical problems associated with agency is ideally suited for the study of the philosophy of action, philosophy of mind, and metaphysics.

  • Sales Rank: #1957110 in Books
  • Brand: Brand: McGill-Queen's University Press
  • Published on: 2006-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .43 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

Review

"… Stout writes clearly and energetically, his arguments are extremely lucid, and his examples engaging. He presents some of the most important topics related to action theory in a fair and accurate manner, and offers a number of insightful discussions of the views of others. Its thoughtfulness and originality should spark new debates. Anybody interested in the philosophy of action and its explanation would do well to read this book." - Times Literary Supplement

About the Author
Rowland Stout is lecturer in philosophy, University College Dublin.

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Elizabeth of York: A Tudor Queen and Her World, by Alison Weir

NEW YORK TIMES BESTSELLER • Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

Many are familiar with the story of the much-married King Henry VIII of England and the celebrated reign of his daughter, Elizabeth I. But it is often forgotten that the life of the first Tudor queen, Elizabeth of York, Henry’s mother and Elizabeth’s grandmother, spanned one of England’s most dramatic and perilous periods. Now New York Times bestselling author and acclaimed historian Alison Weir presents the first modern biography of this extraordinary woman, whose very existence united the realm and ensured the survival of the Plantagenet bloodline.
 
Her birth was greeted with as much pomp and ceremony as that of a male heir. The first child of King Edward IV, Elizabeth enjoyed all the glittering trappings of royalty. But after the death of her father; the disappearance and probable murder of her brothers—the Princes in the Tower; and the usurpation of the throne by her calculating uncle Richard III, Elizabeth found her world turned upside-down: She and her siblings were declared bastards.
 
As Richard’s wife, Anne Neville, was dying, there were murmurs that the king sought to marry his niece Elizabeth, knowing that most people believed her to be England’s rightful queen. Weir addresses Elizabeth’s possible role in this and her covert support for Henry Tudor, the exiled pretender who defeated Richard at the Battle of Bosworth and was crowned Henry VII, first sovereign of the House of Tudor. Elizabeth’s subsequent marriage to Henry united the houses of York and Lancaster and signaled the end of the Wars of the Roses. For centuries historians have asserted that, as queen, she was kept under Henry’s firm grasp, but Weir shows that Elizabeth proved to be a model consort—pious and generous—who enjoyed the confidence of her husband, exerted a tangible and beneficial influence, and was revered by her son, the future King Henry VIII.
 
Drawing from a rich trove of historical records, Weir gives a long overdue and much-deserved look at this unforgettable princess whose line descends to today’s British monarch—a woman who overcame tragedy and danger to become one of England’s most beloved consorts.

Praise for Elizabeth of York
 
“Weir tells Elizabeth’s story well. . . . She is a meticulous scholar. . . . Most important, Weir sincerely admires her subject, doing honor to an almost forgotten queen.”—The New York Times Book Review
 
“In [Alison] Weir’s skillful hands, Elizabeth of York returns to us, full-bodied and three-dimensional. This is a must-read for Tudor fans!”—Historical Novels Review
 
“This bracing biography reveals a woman of integrity, who . . . helped [her husband] lay strong groundwork for the success of the new Tudor dynasty. As always in a Weir book, the tenor of the times is drawn with great color and authenticity.”—Booklist
 
“Weir once again demonstrates that she is an outstanding portrayer of the Tudor era, giving us a fully realized biography of a remarkable woman.”—Huntington News


From the Trade Paperback edition.

  • Sales Rank: #162391 in eBooks
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Format: Kindle eBook

From Booklist
The subject of the popular British historian’s latest plunge into the fertile Tudor ground she has so successfully tilled in many previous books is the wife of the first Tudor monarch, Henry VII, who dethroned the last Yorkist king, Richard III, in a pitched battle and assumed the crown himself. The marriage of Elizabeth of York, the last surviving Yorkist heir, to the new Tudor king had the intended effect of settling any controversy as to who rightfully sat on the throne. Despite some bothersome initial bumps in the narrative road—namely, Weir’s tendency early on, in the face of scant documentary evidence specifically about Elizabeth, to say, “She would have done this, she would have seen that”—this bracing biography reveals a woman of integrity, who, while honoring her Yorkist heritage, grew to love her husband, became a kind and generous queen consort, and helped him lay strong groundwork for the success of the new Tudor dynasty. As always in a Weir book, the tenor of the times is drawn with great color and authenticity. High-Demand Backstory: Given Weir’s universal appeal as a popular historian, especially of the very popular Tudor era, her publisher has an extensive ad campagin planned for the release of her new book. --Brad Hooper

Review
Praise for Elizabeth of York
 
“Weir tells Elizabeth’s story well. . . . She is a meticulous scholar. . . . Most important, Weir sincerely admires her subject, doing honor to an almost forgotten queen.”—The New York Times Book Review

Praise for Alison Weir’s Mary Boleyn, named one of the Best Books of the Year by The Chicago Tribune
 
“This nuanced, smart, and assertive biography reclaims the life of a Tudor matriarch.”—Publishers Weekly
 
“Weir has achieved the enviable skill of blending the necessary forensic and analytical tasks of academia with the passionate engagement that avocational history lovers crave.”—Bookreporter
 
“Top-notch . . . This book further proves that [Weir] is a historian of the highest caliber.”—Washington Independent Review of Books
 
“A refreshing change from recent books on the subject . . . If you want to learn more about this often-maligned woman of the sixteenth century, this is a must-read.”—The Free Lance–Star
 
“Weir’s research is always first-rate and her narratives accessible. In her latest book, the author has to navigate the historical minefields of gossip, fiction, and conjecture to finally get at the truth.”—Tucson Citizen
 
“Engaging . . . Weir matches her usual professional skills in research and interpretation to her customary, felicitous style.”—Booklist

About the Author
ALISON WEIR lives and works in Surrey. Her books include Britain's Royal Families, The Six Wives of Henry VIII, Children of England, Eleanor of Aquitaine, Henry VIII: King and Court, Mary, Queen of Scots, Isabella: She-Wolf of France, Queen of England, Katherine Swynford: The Story of John of Gaunt and His Scandalous Duchess and the novels, Innocent Traitor and The Lady Elizabeth.

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95 of 111 people found the following review helpful.
A conventional woman; a conventional biography that necessarily talks about much besides Elizabeth of York
By Laurence R. Bachmann
Alison Weir, of necessity, subtitles her biography "A Tudor Queen and Her World" because frankly there isn't that much known about the life of Elizabrth of York that would otherwise merit 450 pages. Yes, she was born in tumultuous times. And yes, the accident of birth, and historical events converge to make her an important figure in the resolution of the War of the Roses. But truthfully, she is the sort of person who was swept along by history's tide, not an active player who attempted to determine its course.

Indeed, Weir spends a surprising amount of time telling us who Elizabeth of York wasn't: NOT a formidable, passionate and stubborn advocate like her granddaughter, Mary Tudor; NOT a brilliant, shrewd survivor who wields power with skill like her descendent and namesake Elizabeth I. Nor was she a phoenix capable of rising from the ashes of disappointment like great- grandchild Mary, Queen of Scots. No, says Weir. This Elizabeth, very much a woman of her time, is conventional. Happy to be consort even though she might have been regnant. Happy to be the pious, virtuous and ever-patient helpmate.

There is frequent repetition of the deep seeded misogyny of her day (all of it true) and one is almost ready to concur with Weir that we should appreciate Elizabeth (because of these constraints) merely as a survivor. Except......there were so many formidable women actually surrounding Elizabeth of York during her lifetime, that she comes off as a bit of a milksop in comparison. Her own mother, Elizabeth Wydeville was a shrewd manipulator of power and a fierce advocate of her family interest. Her mother-in-law Margaret Beaufort was relentless and successful in realizing her son's rather presumptuous ambitions. And her father Edward IV had no more implacable enemy than Margaret of Anjou who either went around an addle-brained husband or tried to drive over any member of the House of York who tried to thwart her ambition for her son.

So it is perfectly fine that Elizabeth of York was unlike the half dozen women mentioned above. It does however make her dull (or to put it more pleasantly--conventional). Any biography of her deeds is therfore something of a snooze--lots of details about how many yards of fabric she was given as queen (after the sixth or seventh listing I stopped caring) and how many prayer books she owned and what she inscribed them. There's even a few pages devoted to her penmanship (neater than her sister's I'm happy to report). Hence the....And Her World....

Weir does do a fine job of sorting out the ebb and flow of Yorkist fortune and astutely observes that Edward IV marriage to the base Elizabeth Wydeville would, decades later, plant the seeds of his House's self-destruction. Stomaching her mother's arriviste family was more than most Plantagenet could or would bear, and the premature death of her father left his heirs, male and female, exposed and vulnerable.

Weir deftly delves into the "who killed the little princes?" controversy, which shouldn't be all that controversial, IMHO, concluding it was almost surely Gloucester. I agree. In retrospect, the parts of the biography I liked best had little or nothing to do with Elizabeth of York. Odd praise for certain. It is when Gloucester assumes the throne that Weir makes a good case for its transformative effect on her subject. Briefly, and rather creepily, Weir shows that this now bastardized half-royal, in an effort to regain or secure her position was actually willing to marry the uncle who murdered her brothers, maternal uncles and brought her low.

It is a fascinating example of a person doing what is needed to survive and I wish Weir had explored it further. Of course an exploration could only be conjecture, but that resolute Elizabeth, determined to survive was infinitely more interesting than the pious devoted consort who occupies the last half of the book. Frankly, the final 15 years of Elizabeth's life is proof that virtue, while always commendable, can also be extremely irritating.

Apparently Elizabeth never objected to being slighted by her husband--with regard to her belated coronation or his miserly dower. Nor did she object to being upstaged by a willful mother-in-law. If your husband mistreats your own mother, canceling her dower, ah well, don't stir the pot. Should your husband's paranoia attaint your brother-in-law, devastating your sister's family, just go along to get along, even though Weir repeatedly tells us how devoted Elizabeth is to the close knit Wydeville clan.

Apparently instability and turmoil made Elizabeth of York as timid as a mouse and a bit of a doormat. Happily for her, constant acquiescence gained her husband's eventual, if hard won trust, but at what price? There is no consideration or discussion of what it must have cost her pride or dignity. In fact, one of the more bizarre passages asserts "there is no record of Elizabeth's reaction" to her brother-in-law's arrest for conspiracy and treason. Perhaps not, but I can imagine what any decent woman's response would be to a paranoid husband tearing her sister's family asunder--shock and horror seem likely to me, Ms. Weir. For some reason the author is loathe to draw even commonsensical conclusions like this for they obtrude into her thesis of the contented and pious good-deed-doer.

It is entirely plausible the petty but regular slights from Henry mask his own insecurities, and here I think Weir misses an opportunity. She is so determined we believe they genuinely loved each other (which I don't doubt) she fails to explore a very complex relationship where each needed but must also have resented the vulnerability such reliance imposes. Frankly, Elizabeth's claim to the throne was far superior than an upstart Welsh nobleman. Even if she made her peace with the need to subjugate her feelings, it had to have galled her. Further, one may come to love somebody without being blind to their misdeeds or bad behavior--most people have to do so. Weir however seems overly vested in the belief Elizabeth was not just happy, she was happier than most. But for the travail of lost children we might have been told blissful. It apparently never occurs to the author a contented facade can be a mask to conceal more complicated, but dangerous feelings.

Weir's less than thorough evaluation of Elizabeth and Henry's multi-layered relationship foreshadows my biggest qualm about the book--the author's depiction of Henry VII. Recent biographies like Penn's Winter King portray a miserly, paranoid whose spy
system and Star Chamber were akin to modern day secret police. This Henry VII was relentlessly determined to quash any threat, or even a perceived threat to his power. Weir doesn't even hint such a monarch reigned. At worst her Henry VII is a bit cheap and rather suspicious which led to some unfortunate behavior. One doesn't have to endorse portrayals as harsh as Penn's but any thoughtful evaluation should take his excesses into account. A hard look at the ruthlessness of Henry VII tells you much about the Henry who followed. Apples never fall far from the tree, as my grandma used to say.

The author insists: "Henry was often a cheerful, witty and congenial companion. He loved court ceremonial, music, cards, dice, gambling, and delighted in the antics of tumblers, jugglers [and] acrobats....to his children he was an attentive and loving father. Also he was a faithful and loving husband to Elizabeth. There is NO assessment of his hated tax system that squeezed all classes and revived the power of monarchy by lining his coffers; nor is there mention of the Star Chamber and spy system he perfected with thugs who could have taught Francis Walsingham a trick or two; ignored is the fact that for the most part, when he died, his nobles and subjects greatest emotion was tremendous relief. He had, to his credit, ended years of civil strife and the instability it entailed. But peace exacted other prices. And yes, Elizabeth did come to love him. But let us also remember this is a woman, who by the author's own investigation was proved willing to marry her murderous uncle Gloucester. If Henry was a catch then it is so only by comparison.

Looking back at Weir's effort I am surprised she attempted a conventional biography of Elizabeth of York. There are so many blanks in Elizabeth's life that "we simply don't know" becomes a too familiar refrain. As a result, there is lots of detail about those around her, not nearly enough about herself to be satisfy. And that which is known is almost always readily accepted at face value. Rarely does Weir scratch below the surface of the official, public version. For me that lead to a few spurious conclusions. When writing about a woman who lived 500 years ago, reasoned speculation is perfectly acceptable. What seems strange is to conclude that a life of such tumult and personal danger resulted in a character completely guileless and indifferent to the exercise of power; always complacent, ever content.

I liked Weir's fictional account of Lady Jane Grey. It was plausible, well-imagined and looked at the interior life of a historical figure whose life wasn't sufficiently documented for in depth biography. Relevantly, I think it portrayed how easily people can be swept along by events and to some extent be at their mercy. Elizabeth of York's life suffers similar gaps and blanks and therefore doesnt really lend itself to the author's approach. There is lots of information in Elizabeth of York, and much well-recounted history. But biography should impart a sense of having come to know its subject on some personal level. In that essential regard, Elizabeth of York doesn't succeed, the subject is still an enigma to me.

82 of 99 people found the following review helpful.
I really should have known better
By Chefdevergue
I am all too familiar with Alison Weir's reputation amongst historians, but because there has been little written on Elizabeth of York, I went against my better judgment and decided to try this biography, so-called. Initially, I was settling on a 3-star rating, because there was really nothing all that special about the book. Certainly there is little about the writing style to keep the reader engaged, but I suppose that people who know little about this time period might find something of use.

But as I read on, that 3-star rating began to wobble, and then slip, and eventually it went into a complete free-fall. There is no actual biography here; there is only a recycling of material from other books, with Elizabeth's life as a pasted-on theme. It turns out that there is a good reason that no in-depth biography has been written on Elizabeth of York. There is little to no source material on her, and what little there is portrays an utterly conventional woman of her times, who would be indistinguishable from a comely, flaxen-haired peasant lass from Middle-of-Nowhereshire, except that she happened to be the daughter, wife, and mother of kings.

Since there is nothing about which she can write, Weir resorts to her tried-and-true method (on abundant display in earlier works like the Swynford biography and The Princes in the Tower) of supposition and conjecture. Other reviewers have commented on the surplus of phrases containing "Elizabeth must have," "Elizabeth probably," Elizabeth would have," etc. etc., and it was painfully apparent from nearly the beginning of the book. Weir says in her introduction that "there is sufficient evidence from which to draw conclusions about Elizabeth's character," but I'll be damned if I saw much evidence at all in the pages that followed.

Instead, the reader is treated to text-padding of the first order, as we are led through the entire history of the Wars of the Roses, and then (and this should come as no surprise to readers of Weir) something which appears to be a prosecution brief against Richard III, who apparently is guilty of all the sins in the calendar. Henry Tudor becomes King and proceeds to take over the biography (except for when Elizabeth has children, attends church and/or shrines, or spends money) until Elizabeth dies 17 years later. There is virtually nothing here that Weir has not written about before --- even the confusing excursus about Henry VIII and Anne Boleyn (which really makes no sense whatsoever, except that it adds a few more pages of text). If she were to distill the text down to the basic facts about Elizabeth and why she is important, Weir would be left with probably a 50-page pamphlet.

And so I am left with a thoroughly useless biography which I feel richly deserves this 1-star rating. I know nothing more about Elizabeth of York than I did when I began the book. The other information might be of use to readers who are new to the period, but for those who are better-versed, the book is (again) useless, and unmistakably biased as well. I suppose it is my mistake for expecting something more illuminating.

17 of 19 people found the following review helpful.
Tedious, dry, pointless
By P. Funk
It cannot be denied that the research done by Alison Weir for this book is extremely impressive. Her tenacious efforts to ferret out even the smallest known detail of Elizabeth's life are evident on every page. Sadly, it is this extensive research that makes the book tedious. Page after page of mundane and inconsequential facts (like the names and wages of every person she ever employed) combined with lengthy but unrevealing quotes from a variety of contemporary and later chroniclers make this long book feel much longer. Weir seems to want to prove to the reader how well she combed all extant sources. Sadly, her efforts were for naught as she unearthered nothing of import. The ridiculously repetitive, and yet inconclusive, speculation about her relationship with her husband ( and, to a lesser extent, with Richard III) leaves one confused and wondering why Weir decided to write this book at all since she can make no definitive assessment of Elizabeth's life. I feel that I better understood who Elizabeth of York was before I read it.

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Sabtu, 14 Desember 2013

[I953.Ebook] PDF Ebook Computer Vision: A Modern Approach (2nd Edition), by David A. Forsyth, Jean Ponce

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Computer Vision: A Modern Approach (2nd Edition), by David A. Forsyth, Jean Ponce

Computer Vision: A Modern Approach

  • Sales Rank: #868727 in Books
  • Published on: 2011
  • Dimensions: .0" h x .0" w x .0" l, 2.06 pounds
  • Binding: Paperback
  • 792 pages

Most helpful customer reviews

12 of 19 people found the following review helpful.
Very difficult to understand
By A Customer
The author has good mathematics, but not the abilities to explain something clearly to a student or a beginner. I need to buy another book.

7 of 7 people found the following review helpful.
Digital version a pain. errors. unapproachable.
By complex zeros
I bought this without reading the fine print (shame on me). Apparently, the "kindle" version doesn't actually work on the Kindle. Nor does it work on any android device except the Kindle Fire. It does say it works on "PC", by which it means Windows only... This is an unacceptable delivery method. It has a relatively large number of errors. The material is presented in an unapproachable way, such that it's probably most useful as a reference for someone who just needs a reminder of available techniques. I used this for a semester course in graduate computer vision. I'm also a math major, so my problem with the book is not a lack of proper background.

6 of 6 people found the following review helpful.
Difficult read
By sandiego
This book is the required textbook for a class. I ordered the 2nd edition after reading the poor reviews dating back to well before the second edition had been published. It was my hope that perhaps a major rewrite had occurred after that author absorbed the poor reviews. Sadly, that does not appear to be the case. I am just starting the class and have much of the book left to read, but the frustration felt by past reviewers is now clearly understood by me.

In general, the book tends to run both hot and cold. Clearly the authors are deeply knowledgeable about the subject. And there are many good sections of the book that do reasonable job of explaining the concepts. It is the sections that dive into the math where the authors tend to undermine their own hard work and that, I believe, are source of a number of the book's poor reviews.

One of the topics of the book is the classification (of images), so in keeping with this let me attempt to classify this book. This book seems to fall into the category of a book written by really smart people that loses more than it has to when read by a not-so-smart person. Said differently, this is probably a great book for those that already know the subject and the math. That is, the book can be quite readable for a few paragraphs and give the reader some intuition for the topic. However, when the book dives into the math for a few paragraphs and then emerges on the far shore, it has probably abandoned most readers. Certainly, more often than not it has abandoned me and, from the reviews, I believe that I am not the only one. I suspect the authors have majors in math, but perhaps they have been swimming in the math for so long that it has become comfortable. Whatever the reason, the authors do a poor job in setting up the math, are too dependent on concise math notation (again which would be well know to a math major but not necessarily by others) and as the math discussion progresses the authors make among the largest leaps mathematically among any textbook that I can recall. Additionally, the sections that discuss the math seem to be of varying quality. Often I would get the sense that what made it to final print were a set of notes or a rough draft that had not yet been completed let alone edited.

Regarding the poor setup and excessive brevity in a passage I just read, the authors describe an equation as having three terms, then they give the equation and never state which term is which. As the math unfolds, the reader is stuck because, although he can read the transformations relating to (for example) the rho term he does not know which term is represented by rho. The author also at points use what I find to be a somewhat odd notation (e.g., for linear algebra). In general a few examples would go a long way as well. The authors attempts at homogeneous coordinates and scale rotate and translate was awful and awfully short. A book that I have on motion in robotics spends perhaps 5 times as many pages to discuss a similar topic, with more examples and less dense notation, with the upshot being that the reader of the robotics book walks away having learned the concept and the Computer Vision reader walks away confused and having learned little (again, a math major might have been able to track better with the CV book and gotten a little more).

Were the authors to read this critique, they might counter that they were trying limit the math and instead to provide narratives that provide for an intuitive understanding of the subject. This would be a fair point and a worthy goal. When writing a book, the author must decide who his intended audience is; e.g., an undergraduate engineering student, a graduate student, academic colleagues, etc. However, if this was their intent then the approach the authors took was not unlike trying to meet a page count by removing every third word from the draft text.

In short, of what I have read so far, this book can only be followed without great struggle by those already familiar with the subject and the math. It has lots of potential, so I hope that the authors take the criticism in the constructive spirit in which it is offered with the result being a still better third edition.

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Sabtu, 07 Desember 2013

[Z297.Ebook] Ebook The Winthrop Woman, by Anya Seton

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The Winthrop Woman, by Anya Seton

“The Winthrop Woman is that rare literary accomplishment — living history. Really good fictionalized history [like this] often gives closer reality to a period than do factual records.” – Chicago Tribune

In 1631 Elizabeth Winthrop, newly widowed with an infant daughter, set sail for the New World. Against a background of rigidity and conformity she dared to befriend Anne Hutchinson at the moment of her banishment from the Massachusetts Bay Colony; dared to challenge a determined army captain bent on the massacre of her friends the Siwanoy Indians; and, above all, dared to love a man as her heart and her whole being commanded. And so, as a response to this almost unmatched courage and vitality, Governor John Winthrop came to refer to this woman in the historical records of the time as his “unregenerate niece.”

Anya Seton’s riveting historical novel portrays the fortitude, humiliation, and ultimate triumph of the Winthrop woman, who believed in a concept of happiness transcending that of her own day.

“A rich and panoramic narrative full of gusto, sentimentality and compassion. It is bound to give much enjoyment and a good many thrills.” – Times Literary Supplement

“Abundant and juicy entertainment.” – New York Times

  • Sales Rank: #835410 in Books
  • Published on: 1958-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 586 pages

Review
"Abundant and juicy entertainment."  —The New York Times

"Really good fictionalized history [like this] often gives closer reality to a period than do factual records."  —Chicago Tribune

"[Seton] animates her characters with imaginitive warmth and has written with knowledge and understanding about a difficult period."  —San Francisco Chronicle

"A true page-turner . . . a magnificent book, scrupulously researched, with an unerring instinct for drama and pace."  —Historical Novels Review

From the Back Cover
“The Winthrop Woman is that rare literary accomplishment — living history. Really good fictionalized history [like this] often gives closer reality to a period than do factual records.” – Chicago Tribune

In 1631 Elizabeth Winthrop, newly widowed with an infant daughter, set sail for the New World. Against this background of rigidity and conformity she dared to befriend Anne Hutchinson at the moment of her banishment from the Massachusetts Bay Colony; dared to challenge a determined army captain bent on the massacre of her friends the Siwanoy Indians; and, above all, dared to love a man as her heart and her whole being commanded. And so, as a response to this almost unmatched courage and vitality, Governor John Winthrop came to refer to this woman in the historical records of the time as his “unregenerate niece.”

Anya Seton’s riveting historical novel portrays the fortitude, humiliation, and ultimate triumph of the Winthrop woman, who believed in a concept of happiness transcending that of her own day.

“A rich and panoramic narrative full of gusto, sentimentality and compassion. It is bound to give much enjoyment and a good many thrills.” – Times Literary Supplement

“Abundant and juicy entertainment.” – New York Times

ANYA SETON (1904–1990) was the author of many best-selling historical romances, including Katherine, Avalon, Dragonwyck, Green Darkness, Devil Water, and Foxfire. She lived in Greenwich, Connecticut.

About the Author
ANYA SETON (1904–1990) was the author of many best-selling historical novels, including Katherine, Avalon, Dragonwyck, Devil Water, and Foxfire. She lived in Greenwich, Connecticut.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Spicy Puritans - An Outstanding Story
By Montana Mackay
Wow. I wasn't quite prepared for the power or the characters and imagery of this book. To take a subject as dry as the Puritans of the 1600s and turn it into a racy, riveting drama is quite a gift. Using the real-life Winthrop family of the early 17th century, Seton spins the tale of how the Puritan group came into being and how plans were laid to create the Massachusetts Bay Company. The historical accuracy seems excellent, yet the most powerful aspect of the book is Elizabeth (aka Bess) Fones (of Winthrop blood), who is without question the most corporeal, vital, and realistic Puritan character I have ever met. The book follows her through lusty and not-so-lusty marriages, telling the story of one husband who went completely mad, and of the bloody massacres of whites by Indians AND vice-versa, and of Elizabeth's long-standing attraction to the studly and principled settler Will Hallett. Elizabeth encounters so much hardship that I began to fear for a really heartbreaking ending to the story, but Seton does a beautiful job of imbuing Elizabeth's life -- even her final days -- with meaning and spirit. I cried good tears at the end.

1 of 1 people found the following review helpful.
A Treasure From Anya Seton- Fabulous Historical Fiction
By Gordon Hastings
The republishing of the prodigious historical novels of Anya Seton in the first decade of this century brings to light the treasure trove encompassed in her work.

Winthrop Women, first published in 1958 and later released in 2006 is a particular gift for those whose interests lie in the history of the Puritans, the Massachusetts Bay Colony and the early settlement of the environs of Greenwich, Connecticut. Above all, it is a great love story and the saga of a strong and independent woman richly entwined in the region's history.

Winthrop Women embraces a broad historical web, set in the 1600s (1617-1655) centered around the family of John Winthrop, a fanatical practitioner of the Puritan faith who became the first governor of the Massachusetts Bay Colony and his rebellious niece and daughter-in-law Elizabeth Fons. Their descendents remain in Connecticut and throughout New England. Seton tells the Winthrop family and Elizabeth Fons' story in three parts: The early years in England living a near aristocratic lifestyle; the great Puritan migration to the New World with the establishment of the Massachusetts Bay Colony; Elizabeth's banishment from Massachusetts and her emergence in Greenwich, Connecticut with husbands (correct) , lovers and children joining in the journey!

Anya Seton's story of Elizabeth is written in " high-definition." From childhood, "Bess" is of independent thought and passionate in her views. She was born on a collision course with the beliefs of her Puritan elders, especially John Winthrop. Long before boarding the ship Lyon for the journey to the New World, this child of luxury and high social status had established herself as the Fons' and Winthrop family non-conformist.

Proudly leading his flock beneath the banner of religious freedom to the colonies in New England, far away from the dictates of King Charles, Cromwell and the ruling British establishment, John Winthrop becomes a zealot and religious tyrant, ruling over his domain, with a wrathful "God" as his enforcer.

Elizabeth's ever complicated life, saturated with her passion for men and her non-conformist beliefs, provides the framework for an abundant tableau of what life and love was like in 1630s New England. The drudgery of daily survival, the absence of luxuries, disease and Indians both friend and foe. Foremost, the woman's role of being, above all, a necessary "good breeder," upon which the future of the faith and the colony itself depended!

Elizabeth, having fallen in love with John Winthrop's son, her cousin Henry, became pregnant and was hastily married before leaving England! Henry, a kindred free spirit was not traveling with Elizabeth on the ship Lyon but was under his father's supervision on the Arabella. Elizabeth learned upon her arrival in Massachusetts that Henry had drowned in a boating accident upon landing. There would be two more husbands and many children, living and still-born before her story concludes thirty years later.

During a brief period when Winthrop had been ousted as Massachusetts Bay Colony Governor, the community rose up against Elizabeth's behavior with rumors and speculation that she and her Indian servant Telaka were possessed by the devil. The outcry became witchcraft! Banishment from the colony, the final solution in those days short of hanging, saw Elizabeth, her family and Telaka ( whom Elizabeth had rescued from a slave auction) on their way to Greenwich where under Dutch law there was greater respect for individual freedom and religious beliefs. This novel is so wonderfully written and researched that of course, Telaka, had ended up in Boston only after being kidnapped from her tribe, the Siwanoy Indians who populated the area in and around Greenwich! A homecoming for Telaka and a new most welcoming home for Elizabeth, her husband and brood? Not quite that simple!

In the Greenwich chapters you will walk with Elizabeth on the white beaches of Monakewago ( Tods Point), follow the Mianus River, witness the massacre of over 1000 Siwanoy Indians ( Telaka's family) in what is today Cos Cob. There will be yet another husband and more "breeding, " and another banishment with the loss of thousands of acres of land that today encompass the entire Town of Greenwich.

History is taught in many ways and Seton is deserving of high praise both as a novelist and historian for Winthrop Women. Seton wrote Winthrop Women while living in Old Greenwich, Connecticut where she died in 1990 at age 86. She is buried there in Putnam cemetery.

Other highly acclaimed novels by Anya Seton include, Foxfire ( 1950), Katherine (1954), The Mistletoe and the Sword (1956). See gordonsgoodreads.com

2 of 2 people found the following review helpful.
SHAME on YOU AMAZON! The Book - 5 Stars. The Editing - 0 Stars.
By uniqity
This great classic doesn't require a review from me on how well it was researched or written. Elizabeth Winthrop is one of our country's "Foremothers" and her story was well-told by Anya Seaton. Whether or not you enjoy it may have more to do with the kinds of books you like than its actual worth. It was written in the late fifties and as I recall, when my older sister read it in the early sixties, it was considered quite a racy book. Well, in today's world it is pretty tame, but still an excellent story.

I rarely criticize Kindle books for their editing because there are so many first time authors that I give them a pass. I just want to have a chance to read what they have to say. And though I read many indie books that have editing issues I have NEVER seen such a badly edited book in my life! Considering that the original was well-edited, I feel that republishing an existing classic and charging almost $8 for such a lousy Kindle version with no value added is an absolute crime.

The book was obviously scanned and published with NO editing at all. Anybody who has even minimal experience with scanning-to-text would realize that the software doesn't always interpret the scan correctly and if you don't edit it there will be whole sentences that have so many mistakes that they make no sense. This was the case with the Kindle version of The Winthrop Woman. Saying that they did a poor job editing is to give them too much credit. If anybody even read through this book before publishing it they must have been illiterate.

SHAME ON YOU AMAZON for selling such a trashy piece of publishing!!!

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Jumat, 06 Desember 2013

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The Black Dahlia, by James Ellroy

The Black Dahlia, by James Ellroy



The Black Dahlia, by James Ellroy

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The Black Dahlia, by James Ellroy

A neo-noir crime novel from the legendary crime novelist James Ellroy.

Los Angeles, 15th January 1947: a beautiful young woman walked into the night and met her horrific destiny. Five days later, her tortured body was found drained of blood and cut in half. The newspapers called her 'The Black Dahlia'. Two cops are caught up in the investigation and embark on a hellish journey that takes them to the core of the dead girl's twisted life....

  • Sales Rank: #143408 in Audible
  • Published on: 2016-01-28
  • Format: Unabridged
  • Original language: English
  • Running time: 788 minutes

Most helpful customer reviews

205 of 215 people found the following review helpful.
Simply the Best
By Bob Carpenter
James Ellroy's "The Black Dahlia" is almost too dark, too gripping and too believable. It stands out among a crowd of mysteries (sub-genre police procedural) as simply a great novel. Most mysteries I put down and forget that I've read them. The characters from Ellroy's noir vision of L.A. in the late 1940s and early 1950s are indelibly etched in my mind, as is Ellroy's characterization of the period and location itself. This is the most visceral book I've ever read.
I picked up this book myself from Partners and Crime's Top 100 shelf (P&C is an awesome mystery bookstore in Manhattan's Greenwich Village). I loaned my copy to a friend, who gave it back to me a week later and said he didn't want to read the rest of the series or any other mystery novel again in his life -- this one was perfect and anything else would just ruin his ability to savor "The Black Dahlia". I loaned it to a second friend who finished it in a week, and then went out and bought the complete Ellroy ouevre. This is not a one-night read unless you have strong eyes, strong coffee, heroic concentration and an iron will.
If you get a chance, hear Ellroy read from these books in person.
Sequencing Ellroy's books is tough, because they're all similar in terms of time frame, setting, and characters. The L.A. trilogy plus one is:
* 1947: The Black Dahlia
* 1950: The Big Nowhere
* 1951: L. A. Confidential
* 1958: White Jazz
Dudley Smith also appears in Ellroy's second novel, "Clandestine", set in 1951.

68 of 71 people found the following review helpful.
Gritty, tough, very intense.
By edijul@foothill.net
There I was you see, I walked into the book store, the whole place smelled like old moldy books. So I see this old broad behind the counter. Had a couple of miles on her, sort of like me. So I ask her, trying not to sound too stupid, "Do you have any Elway books?" She looked at me, smiled and said "who?". Elway, you know, wrote L.A.Confidential". She said "Oh, you mean Ellroy". She then walks over to the used paper back mystery section and said, "All I have by Ellroy is "The Black Dahlia". It's based on a murder that happened in L.A. a few years ago". So I picked my brain, thinking, " yeah I read something about this Ellroy guy in the newspaper a couple of years ago". So I buy the book, looks like it is on its last legs, pages are almost yellow and ready to fall out. I take the thing home, read the back cover, get an idea of the story and start to read it. Then after reading a few pages, I'm hooked. I'm turning page after page, my eyes feel like two hot burning coals. I'm sweating, my brain feels like it's been scooped out, slammed against the wall and it's oozing down like cauliflower mixed with vanilla yogurt. I feel like laying two raw pieces of pork chops alongside my head so I can cool off. I read this book in two days. My whole life came to a stop. Never did have a clue on how it would end; yeah there were little clues here and there, but my little pea-picking brain never picked them up. Now I says to myself, "this Ellroy guy can really write". Now I'm afraid to read any more of his books. I don't want my life to come to a stop again. I'm an old retired copper, read my share of mysterys in my day, but I've got stuff to do around the house, I can't just read all day. So be aware ! Be prepared when you read this book. It's gritty, it's tough, it makes most mystery thrillers read like Peter Pan. I'll keep this book forever...Very intense, not for the light hearted! Make sure that you are ready for this. It ain't like picking daisies or taking a walk in the park with fido. This is a knock down, drag out, real life thriller that will knock your socks off. Maybe someday in the middle of winter when it's raining baby elephants and I can't do anything else, I'll even think about reading another Ellroy book.I don't think that my heart can take it......

65 of 69 people found the following review helpful.
Ellroy's First Masterpiece
By Stephen McLeod
This first novel in the much-praised "L.A. Quartet" is one of the great American works of art. Up there with Twain, Fitzgerald, Chandler, Hammett and Hemingway. "Dark" is too bright a word for Ellroy's fiction. Another reviewer called Ellroy "the Caravaggio of modern fiction." That says it all.
In the "Dahlia", a real woman named Betty Short, whose butchered corpse appeared in a vacant lot one morning in real-life L.A. circa 1947, Ellroy found his essential enigma and his battering muse. This famous, unsolved murder victim becomes in the novel, a terrifying emblem for his own oedipal quest, a quest that he fearlessly explored in his memoir *My Dark Places*. It is a work of genius, and we are all the richer for it. Its scope is epic. Its tone is sharpened ebony. Nothing in Ellroy's previous novels prepares you for this. It is also a book that repays multiple readings. It's only outdone by each subsequent novel. Full-blown addiction is the only way I can describe my response to Ellroy's fiction. It will jazz you and haunt you and inhabit your dreams.

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Selasa, 03 Desember 2013

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The Wise Guy Cookbook: My Favorite Recipes From My Life as a Goodfella to Cooking on the Run

The Wise Guy Cookbook: My Favorite Recipes From My Life as a Goodfella to Coo...

  • Binding: Paperback

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